KAILASANATHA TEMPLE
The
Kailasa temple is one of the largest rock-cut ancient Hindu temples
located in Ellora, Maharashtra, India and it is a megalith carved out of one
single rock. It was built in the 8th century by the Rashtrakuta king
Krishna I as attested in Kannada inscriptions. This is one of the 34 temples
and monasteries known collectively as the Ellora Caves. These extend over
more than 2 km, were dug side by side in the wall of a high basalt cliff
in the complex located at Ellora. The Kailasa (cave 16) is a remarkable example
of Dravidian architecture on account of its striking proportion; elaborate
workmanship, architectural content, and sculptural ornamentation of rock-cut
architecture. The temple was commissioned and completed between 757-783 CE,
when Krishna I ruled the Rashtrakuta dynasty. It is designed to recall Mount
Kailash, the home of Lord Shiva. The Kailasa Temple is notable for its vertical
excavation—carvers started at the top of the original rock, and excavated
downward. The traditional methods were rigidly followed by the master architect
who could not have been achieved by excavating from the front. It is estimated
that about 400,000 tons of rocks were scooped out over hundreds of years to
construct this monolithic structure. From the chisel marks on walls of this
temple, archeologists could conclude that three types of chisels were used to
carve this temple. All the carvings are at more than one level. A two-storeyed
gateway opens to reveal a U-shaped courtyard. The courtyard is edged by a
columned arcade three stories high. The arcades are punctuated by huge sculpted
panels, and alcoves containing enormous sculptures of a variety of deities.
Originally flying bridges of stone connected these galleries to central temple
structures, but these have fallen. Within the courtyard are two structures. As
is traditional in Shiva temples, an image of the sacred bull Nandi fronts the
central temple housing the lingam. In Cave 16, the Nandi Mandapa and main Shiva
temple are each about 7 metres high, and built on two storeys. The lower
stories of the Nandi Mandapa are both solid structures, decorated with
elaborate illustrative carvings. The base of the temple has been carved to
suggest that elephants are holding the structure aloft. A rock bridge connects
the Nandi Mandapa to the porch of the temple. The structure itself is a tall
pyramidic South Indian temple. The shrine – complete with pillars, windows,
inner and outer rooms, gathering halls, and an enormous stone lingam at its
heart – is carved with niches, plasters, windows as well as images of deities,
mithunas (erotic male and female figures) and other figures. Most of the
deities at the left of the entrance are Shaivaite (followers of Lord Shiva)
while on the right hand side the deities are Vaishnavaites (followers of Lord
Vishnu). There are two Dhwajasthambha (pillars with flagstaff) in the
courtyard. The grand sculpture of Ravana attempting to lift Mount Kailasa, with
his full might is a landmark in Indian art.
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